Barbie Pink & Fabulous ― ‘Barbie’ Los Angeles Photocall Barbie 1959 ― 'Barbie’ Bondi Beach Photocall Barbie Day to Night ― 'Barbie’ Seoul Premiere Barbie Sparkling Pink ― 'Barbie’ Seoul Press Conference Earring Magic Barbie ― 'Barbie’ Mexico Premiere Totally Hair Barbie ― 'Barbie’ Mexico Photocall Solo in the Spotlight Barbie ― 'Barbie’ Los Angeles Premiere Enchanted Evening Barbie ― 'Barbie’ London Premiere
A1-A2: man, there’re so many words I need to know in order to say literally anything
B1-B2: wow, what I know is enough now
C1-C2: man, there’re so many weirdly specific words I need to know in order to describe these weirdly specific things I’ve only seen once in my life. Also I forgot how to say ceiling.
I think it should take longer to make tv shows and movies. I think shooting days should be shorter. I think AD’s lives should be longer. I think we shouldn’t have to be in a goddamn rush all the time. I think we should have the time it takes to make good art. I think fans should wait even longer than they do and be happy that everyone who made the art is getting full nights of sleep.
on a serious note regarding the wga strike and (as of 1:50 AM PST 7/13) upcoming sag-aftra strike, dsa-la has a fundraiser called The Snacklist which provides snacks and water on the picket lines here in LA. right now the funds they have will not last through the end of the summer, especially given the current and upcoming heatwaves necessitating more supplies. if you have a couple of dollars to spare it’s a great way to directly support the writers (and potentially the actors) during this difficult time!
happy first sag-aftra strike in 60 years to all who celebrate.
if you are an enjoyer of media (which i will guess based on your presence on tumblr that you are) please consider donating to the snacklist (linked above) or to any of the following mutual aid funds that directly support striking actors/writers, IATSE and teamster union members who are also out of work and by and large refusing to cross the picket lines, and nonunion PAs and assistants (like yours truly) who are directly impacted by the work stoppage. everyone in this industry works unbelievably hard to bring you the shows, movies, webseries, and variety programs that you enjoy and every worker deserves a fair contract. any support you can give is extremely meaningful.
The Entertainment Community Fund provides emergency financial assistance to anyone in the entertainment industry who is unable to pay their immediate basic living expenses such as housing, food, bills, and healthcare.
The Union Solidarity Coalition has been formed by members of the wga, sag, and the dga to help cover the cost of healthcare for IATSE and teamsters who will not get enough work hours to qualify for their coverage this year due to their refusal to cross a picket line.
The Hollywood Support Staff Relief Fund (also run by the Entertainment Community Fund but separate from the above link which supports all film and tv workers) offers assistance to tv and film support staff and assistants who are not protected by a union and have been displaced from low or entry level positions.
Drive 4 Solidarity is an IATSE organized event in August raising funds for all union and guild members. Tickets are available for those in socal but donations are being taken as well.
Hey y’all film crew member here. For those of you asking, they’re running like that to stay out of the shot. For us crew we TRY OUR HARDEST TO NOT GET FILMED. IT’S IMPORTANT. It’s like playing the floor is lava but with a side of “you’re fired” if you lose too many times. We’ll do anythING to not be seen. Duck around corners, dive under tables, jump in the bushes, assume fetal position on the floor, climb trees, get in the robot, hide in the trojan horse, become a vampire, you fuckin name it. My fav game while watching a movie is “guess where the crew is hiding in this shot” it’s great fun you should try it. The only problem in this particular shot is there is nowhere to hide except behind the camera which IS MOVING REALLY FAST. Why they didn’t just leave the room I have no idea. it could be any number of reasons. Time, lack of proper equipment, need to supervise/direct, etc. The real question is how the hell did Gaga not fucking lose it seeing a herd of film nerds scamper desperately in circles behind the camera
Love all the film crew people in the notes sharing their dumb hiding locations
If reblogs are publicity for the creator, then I expect to be compensated for the promotion. DM me with your pricing.
If, however, I’m curating my own blog, then I will choose what I want to reblog based on my interests and the interests of my followers. I will like posts that I enjoy. This will tell the person I reblogged it from that I enjoyed this content and may encourage them to reblog more of that kind. Some posts will not be reblogged. If this is unacceptable to you, DM me with your URL and I will put you on my block list so I can no longer cause you violence.
